A while back, frequent commenter Esploranto mentioned that it would be nice if some of the posts on the Dothraki blog could be translated into Spanish. I agreed, but didn’t feel up to the task (my writing style is too idiomatic and idiosyncratic for my Spanish to handle!), so Esploranto offerred to give it a go. He translated a couple of the early blog posts before I realized that there was no simple way to host translations. What would be perfect is if there was a button that you could click on to easily switch between the English and Spanish translations of a given blog post.
That’s when my old friend from elementary, junior high and high school stepped in. Ian Byrd (founder of ByrdSeed.com and a gifted education instructor) saw the problem and took it upon himself to create a custom WordPress plugin (which, if you’re me, sounds like nothing less than sorcery). As a results, translations can now be handled pretty much just as I described: You go to the top and click on the translation you want, and it automagically appears! (Wow. WordPress doesn’t think “automagic” is misspelled? No, wait, hang on: It thinks “automagically” is fine; “automagic”, though, gets a big fat red underline. Crazy!)
Anyway, to see it in action, you can go to my very first post and see the translation provided by Esploranto, upon whom I have conferred the Dothraki name Najahho: the victorious one. Kirimvose, zhey Najahho!
Of course, there’s no reason that the Dothraki blog need be translated only into Spanish. Any and all translations are welcome—including conlang translations! It’s pretty easy to add a language to the plugin, so I can expand the list to include whatever I want. If you’d like to translate a Dothraki blog post, just send the translation in a plain text e-mail to me (or attach a .txt file). If possible, please keep the HTML in tact (it will simplify my job greatly). Provided it looks okay, I can just paste it right in and we’ll be set! Oh, but do include the phrase “Translated by [your name]” in your language to append to the end, and if you’d like me to link to your website, include a link for me and I’ll add it.
Just one note before leaving the topic: Right now the plugin has one kink in it which has broken the right-hand navigation slightly. All the options are there, but they’re not as neat as they were. Ian’s working on a fix, and when we get it, we’ll be sailing.
If it’s morning where you are when you’re reading this, it means that I’m on a plane headed to Seattle for NorWesCon. Can’t wait! If you’re in the Seattle area, come give me a shout. Otherwise…three days. Tick tock.
So this one kind of slipped under the radar.
If you point your browser over to JoinTheRealm.com, you’ll be able to create a custom sigil à la Game of Thrones for your own house. You can choose your colors, your sigil, your house name, your house motto—the whole bit—and share it with friends.
But if you take a moment, you may notice something else. If you go to the upper left-hand corner of the screen and select “Change Language”…
Yep. You can go through the entire app in Dothraki. I translated the whole thing—even the copyright info down at the bottom.
In fact, if you want to try to include some salty language in your sigil, you’ll even get to see a custom “Nah, you can’t do that” message.
I could literally sit with something like this all day and never get tired of coming up with custom sigils, but this is my first:
Those who remember this discussion may know what that means at a glance.
I don’t know if the comments will allow you to post images, but if there’s a way you can share, let’s see some sigils! I’ll probably be doing more as the weeks, months and years progress.
Update: And one just for me:
The past two Game of Thrones premiere events have been pretty incredible, but this was something different. Going all the way back to the 1920s, if anyone mentioned a big Hollywood premiere, the first place that would come to mind was Grauman’s Chinese Theater in Hollywood. And lo and behold, that’s where we were.
Of course, I was late, though. I guessed the traffic correctly, for the most part, but I guess when they do a premiere like this, the traffic around the theater is a bit crazy (as I learned when I got there and saw they had lanes blocked off to accommodate the premiere). So we kind of rushed in (it was already dark), and the first thing we saw was this:
Big old line. That was the first indication that things would be different this year. And, indeed, it appears that the “cast and crew” premiere event has outgrown its former venue by leaps and bounds. The theater was packed.
Originally we were escorted to the wrong seats and I ran into Bryan Cogman, who got to sit next to Rob McElhenney and Kaitlin Olson of It’s Always Sunny in Philadelphia (lucky chiftik). But it’s all good. My wife Erin and I had a lot of fun taking a look at the renovated Chinese Theater (I’d been there once before pre-renovation/restoration. Looks great now.)
After some speeches, we got to see the first episode of season 3…about which I’ll have much more to say come April 1st.
Afterwards we got to get our picture taken out front (thank you Sharon!).
Then we walked over to the Hollywood Roosevelt Hotel for the after party (the Dothraki vitteya [props to the HBO folks who got the word right!]). This was my first ever encounter with actual paparazzi. Not that they were looking for me, but we were all walking from the theater in a big group, and there was actually a barricade with police and a whole bunch of guys with cameras shouting at the crowd (the names I heard as I was going by: “George!”, “Nathalie!” [and, in fact, George R. R. Martin did go over to the barricade to sign a few autographs, which I thought was charitable]). It was really bizarre. I really should’ve taken a picture of them (kicking myself now. If there’s a next time, anha astak asqoy: I will get a picture of a wall of paparazzi!).
The party at the Roosevelt was, in a word, opulent. There were a string of performers (a juggler, a belly dancer, two guys doing a sword fighting display, musicians) in the main hall, a place where you could get your fortune read with tarot cards—oh, in fact, I took a picture of the little program they had printed up:
I did, indeed, shoot some arrows (unfortunately the picture was too dark; not worth posting), and my wife got her nails done (and of the choice, she notes: “The dragon has three heads!”):
And to keep an old tradition going, here’s a picture of my dinner:
A quick aside: Are there such things as freshwater shrimp? Is that a modern phenomenon (with shrimp farms)?
Anyway, one thing I was extremely glad of is I got to meet both Nathalie Emmanuel (who plays Missandei) and Dan Hildebrand (who plays Kraznys) at the after party. I saw their work for the first time tonight, and, as I told that, I was extraordinarily impressed. They’re both new to the show and new to working with a constructed language, and the language itself is brand new, so, to be honest, I wasn’t expecting much. Their performances far exceeded my expectations. I could barely sit still in my seat, thinking to myself, “My god! They’re nailing it!” I’ll have some more specific details after the official premiere, but suffice it say they both put a lot of effort into getting the Astapori Valyrian down (for which I’m grateful), and their hard work more than paid off. I couldn’t have hoped for anything better.
Oh, and they were both gracious enough to take a picture with me. Here’s me and Nathalie:
And here’s me and Dan:
Oh, and before I forget, this was the main banquet hall. I couldn’t get a picture to do it justice, but there was a gigantic map of Westeros and some of Essos draping the far wall (more than a story tall). You can see it in the background here:
Probably the number one moment that many are going to wish I was videotaping but which I didn’t occurred when they started playing “Billie Jean”. George R. R. Martin was sitting at a table with most of the child actors (Arya, Sansa, Bran, Hot Pie), when Maisie Williams decided to start singing along, using Sophie Turner’s hand as a microphone. As it moved into the chorus, they all joined in. It was priceless.
My strangest moment was when Dan Weiss’s father and mother came up to introduce themselves to me. They recognized me, and said they were big fans of the show. The show they meant, though, wasn’t Game of Thrones: It was CNN’s The Next List. I guess they watch it all the time, and they’d seen the episode with me on it and they recognized me from it. (Tracey Dorsey, if you’re reading this, you’ve got fans in high places! They love the show!)
But I think the highlight of the night for me was when I achieved something I failed to last year. Jason Momoa was at the premiere again this year, and, like last year, he brought his wife, Lisa Bonet. And though it didn’t happen last year, this time I got a picture with her:
If I could tell you what The Cosby Show meant to me as a kid growing up, it’d take months to read this post. In short, let’s just say I can die happy.
I know there are a lot of fans out there that can’t wait for March 31st—and, believe me, it’ll be worth the wait; they did a terrific job. But now having seen it, I have to say: I can’t wait for April 7th.
I’ve just recently come back from ConDor (which was wonderful), and ran into a wall of work. While I negotiate that, though, I’d like to do a couple of things here.
First, Dothraki regular Esploranto has started translating posts on this blog into Spanish! I can’t tell you how excited I am (and, by the way, if anyone else is interested in translating these posts, go for it!), but I’ve run into a technical issue—specifically, how to add these translations to the blog. It’d be odd to post them as new posts (since they’re translations of old posts), and odder still to post them directly after the posts they’re translations of (if I get more translations, there could be, e.g., a single day with like eight posts). What I think would be ideal is if I could add a button to each post that would automatically swap out the original content with the translation. Anyone have any idea how I might accomplish this?
If I can’t come up with a clever solution, what I may do is assign all these posts to some older year (say, a hundred years prior to the original post) and provide a link on each post to the other, plus a note on the translation telling readers when the original post was posted. It’s not an ideal solution, but it’ll allow me to host the content without cluttering up the original run of posts.
Oh, and as a note, I really wouldn’t like to maintain two blogs with the same content, if I can avoid it. I’ve been having enough trouble keeping all my WordPress blogs up to date; I’m loathe to start another.
Second, I got a comment a while back from Aniko asking for the Dothraki translation of the following phrase: Dare to live; it’s easy to die. Let me take some time to translate that.
Step 1 is taking care of the word I didn’t have: dare. Turns out, the English word “dare” goes all the way back to Proto-Indo-European with its meaning mostly in tact (not many words do that). I would’ve been on solid footing to simply coin a new root for Dothraki meaning “dare”, but it didn’t feel right. Right now the word I’d use for “brave” or “courageous” is vezhven. The word has other uses, but it also covers those areas of English’s vocabulary. The idea behind “dare” is to invest one’s courage (whether wise or not) in some enterprise. Many languages have a word related to “brave” they use for “dare”. I wanted to include that tie with Dothraki, but could have done it in a number of ways.
While vezhvenat is a verb, it’s really stative in nature. “To dare” is more of an activity, and I didn’t like any of the options available to me to make vezhvenat more active. In browsing the vocabulary, I came across one item I’d use before to turn vash, “stampede”, into a verb: lanat ki vashi, “to stampede”. I really like this construction, and want to use it more. Thus was born: lanat ki vezhi, “to dare” (and also “to be brave”).
I’m not sure quite how to explain it, but ki is used here to mean “like” or “as” instead of ven, which we’d ordinarily expect. Ven seems more utilitarian, more concrete (it’s certainly a younger preposition), while ki makes the connection seem closer. I think one could actually say lanat ven vezh, to literally say something like Me lan ven vezh, “He ran like a stallion”, but lanat ki vezhi means “to dare”.
Having settled that, this is how I would translate the phrase:
- Lanas ki vezhi thirataan; me disie, jin drivolat.
Obviously do what you will with the punctuation. That said, there are different options here, so let me walk you through them one by one:
- The first verb (lanas) is in the informal imperative. If you’d like it to read more formally, you can change lanas to lani.
- The first clause is “Dare to live”. You can change it up, though, and say Lanas ki vezhi athiraraan, which is saying the same thing in a slightly different way (maybe something like “Dare to go towards life”?). Either construction is acceptable.
- There are a number of ways to say this last bit. One way is to say Athdrivozar disie, which is literally “Death is easy”. (Note: In the original, you can switch out drivolat for athdrivozar if you like the original construction but prefer the verbal noun.)
- Another way to say that same thing is to use the infinitive: Drivolat disie. That would be like saying “To die is easy”.
- And, of course, there are two slightly different words for death at play here. Drivat (and its verbal noun form athdrivar) means “to be dead”. This is a stative verb and describes the state of being dead. Drivolat (and its verbal noun form athdrivozar) means “to die”. So which verb or verbal noun you use depends on what you want to say: Is being dead easy, or is dying easy? Now that I look at it, it’s probably the former, not the latter, in which case you’d want to switch to drivat/athdrivar.
That, though, should give you an idea of what the issues are, and should help you decide what direction you want to go in. Either way, when your tattoo is done, take a picture and send it my way! I’ll put it up here on the blog.
If you’re following me on Twitter, you’ll know that I’m at TED in Long Beach right now, and that it’s not likely that I’ll get out three more blog posts before the month is up. That, however (as well as the title to my last post), got me thinking about months.
In the Universe of Ice and Fire, we know there are seasons, because we’re told that there are. Seasons can last months, years—decades, even. We don’t know why, but I’ve heard that there is an explanation, and we’ll learn what it is when George R. R. Martin is done with the series. In the meantime, though, I have absolutely no idea what to do with month names—or dividing up months—in Dothraki, and so I’m going to leave it alone. After all, though summer will be the same every time one experiences it, whether summer lasts three months or three years, there’s no guarantee that a single month (e.g. September) will be the same year in and year out. What, then, would distinguish it? Why even name it?
That, though, doesn’t change the fact that we have months in our world, and that those months have names. So if one were to use Dothraki, we could use the English names and Dothrakify them (though “February” is terrible in any language. What an awful word! I think I’d Dothrakify it as Fevyuweri, which will betray my accent), but I thought it might be fun to come up with Dothraki words for our months—and so I’m throwing it out to you. What would be some good names for our months in Dothraki? You might find it useful to refer to the extant vocabulary of Dothraki in coming up with words, but feel free to be creative. As a reminder, these are the terms for the seasons in Dothraki:
- Spring: Eyelke
- Summer: Vorsaska
- Autumn: Chafka
- Winter: Aheshke
You might also find it interesting to look at how other cultures have named their months. For example, in Ancient Egyptian, the months were called Growth, Harvest and Inundation followed by a number (I always found that amusing). If we can come up with terms we like, we’ll start using them out of world.
Oh, by the way, I think it’d be helpful to come up with a list of out of character Dothraki vocabulary (e.g. some of the modern terms we’ve come up with). Possible expansion for the language wiki…?
It’s now February 20th, and this is the first Dothraki post of the month. Given that it’s a short month, this may very well be the last, as well. I feel obliged to offer up some sort of explanation, given that (most months) I’ve been pretty good about living up to my unwritten (until now) four posts per month goal.
As it has turned out, this month has been pretty busy. In addition to the SWTX PCA/ACA Conference from last week, I’m giving a TED University talk at TED this month (a whole 6 minutes on the 28th!), and have been busy doing a lot of prep work for that and for TEDActive, where I’m giving a workshop. If you want to talk any Dothraki, the best place to catch me these days is on Twitter or at our weekly Dothraki chat on IRC.
I didn’t want this post to be completely devoid of Dothraki, though, so I thought I’d address an issue that came up on Twitter. Our latest (and quite prolific!) Dothraki speaker Tyene Sand was trying to translate a sentence using the Night’s Watch (that is, the name “the Night’s Watch”). That can be translated in a number of ways (I offered Vitihiraki Ajjalani), but the translation called for the phrase to be declined in some way. This is where one runs into a dilemma.
In Turkish, if you take a foreign noun and try to decline it, the word behaves a little differently from native (or assimilated) Turkish nouns. Turkish names take a number of case suffixes (similar to Dothraki), but these suffixes participate in vowel harmony. Here’s a small example:
|mağaza||store||mağazada||at the store|
|göl||lake||gölde||at the lake|
As you can see, in the Turkish forms in the third column, there’s a suffix that’s either -da or -de. Which suffix you get depends on the character of the previous vowel (for more, see this article on Turkish vowel harmony), but they both mean the same thing.
That’s fine and good. What happens, though, when you add these suffixes to a foreign word? Turkish, as it turns out, does a couple of things differently. First, the suffix is always attached with an apostrophe (kind of like how sometimes in English, acronyms are pluralized with an ‘s as opposed to just s [e.g. DVD's rather than DVDs]). Second, unless the quality of the vowels is quite apparent, Turkish just uses one of those two suffixes—specifically, the -da suffix. Here’s an example:
So, now that we know what Turkish does, what does Dothraki do?
First, Dothraki noun phrases are often declined on the head noun. This is the rough equivalent of “passerby” vs. “passersby” in English (the latter being the formal plural of the former). Take, for example, the phrase asavva evomen, which has various meanings depending on context (for now, let’s say “afterlife”). If one wanted to pluralize this phrase, the appropriate plural would be asavvasi evomeni (the latter adjective taking an -i on account of concord). That is, asavva is the head noun, so it takes the plural; one doesn’t treat the whole thing as a single noun and attempt to add some sort of inflection to the end of evomen.
That said, one may want to write in Dothraki and talk about modern people, companies, products, places, etc. For something like “Google”, one option would be to try to translate the concept (good luck) or to render it in Dothraki (Gogol?). This might end up making things more confusing than necessary, though. As a result, the kind of catch-all repair strategy used in Dothraki is the preposition haji. Haji means something like “because of” or “on account of” or sometimes “with respect to”. In Dothraki proper, its meanings are a bit more specific. When used in conjunction with foreign names or terms, though, it stands in for any preposition and/or the genitive, allative or ablative cases. Thus, one might say something like:
- Anha tih mae haji Reddit.
- “I saw it on Reddit.”
Technically haji there could be standing in for she, ma, irge, hatif, vi, ha, ki—or the ablative, genitive or allative cases. Really, though, given the context, it seems likely that it’s standing for she (a general locative. Not sure if anything more specific would be used to refer to something one sees on a webpage. Mra, maybe?). One might be able to supply a context that would force another reading, but the most obvious reading suggests that whatever was seen was seen on Reddit.
Though the solution is pretty simple, the drawbacks are that there could be confusion or ambiguity, so it behooves one to supply the proper context so that only the correct interpretation is plausible. If more specificity is absolutely required, one can always use the proper preposition. If a case is needed, it’s probably best to attempt to render the noun in Dothraki, as below:
- Anha dothrak Disneylandaan!
- “I’m going to Disneyland!”
To make it clear, one may (in the Turkish style) separate the case ending from the root with an apostrophe, but personally I prefer it without.
I hope your February’s going well and that it’s not too cold where you are! It rained today, so California will get a bit chillier for the next couple of days, but otherwise I can’t complain. For those of you who speak or are familiar with other case languages, what do those languages do with foreign proper terms? How would “Google” come out in the instrumental in Russian? Or the translative in Finnish?